v0.1.3.6

This is the latest stable release.
This release adds the 32 "classic" six operator FM synth algorithms as separate synths named \fm0 to \fmv.
I could not have reached this point without @davidgranstrom who had invaluable guidance and incredible patience with me.
Shout going out to Mats Erlandsson who gave me the idea for the \wid parameter.

v0.1.3.5

This release added the new Global effect mir which is an Impulse Response based reverb.
It builds on the work of @davidgranstrom who made the fantastic EZConv

The included impulse response file is a recent remaster of an Impulse Response I recorded many moons ago when I was stage manager of Norbergfestival's largest stage Mimer.

Easy peasy new params:

mir: 1, // mir output amplitude, range is zero to infinity
mii: 1, // mir input amplitude, range is zero to infinity

Feel like you wanna swap out my IR for yours?

~/Library/Application\ Support/SuperCollider/Extensions/SuperClean/clean-samples/mmd/mir/mir-4eqed.wav

v0.1.3.4

This release added significant optimizations by @redFrik
who also added the ability to read samples from disk with

~clean.csf("~/snd/lng");

This makes a huge difference. No more running out of RAM.
Go team Music of Long Duration!

Also:

• Updated examples
• New \blp synth
• superclean-parameters.scd now explicitly states value ranges and lists global effects separately.

v0.1.3.3

This release enabled click-free control over the global gain parameters found in \tnh and \dfm.

v0.1.3.2

This release extended the range of the ring modulator so that it can do amplitude modulation.

v0.1.3.1

This release added the new aux based global effect jpr which is a reverb based on JPverb which is a reverb that has its own particular sound. I like this reverb's ability to change a lot of its parameters on a dime. I find it to be quite responsive. I also added a tanh clipping stage before the reverb which will let you add a subtle boost to suit your input material, or, you could alternatively use it to really trash everything up and overwhelm the reverb, resulting in chonky / fizzy mayhem. It's up to you.

v0.1.3.0

This release added the aux based global effect dfm which is a Stereo distortion based on DFM1 which is a digitally modelled analog filter which has this super gnarly non-linear way of distorting. Watch your playback settings with this one because it is, in my opinion, extremely loud sounding.

v0.1.2.9

This release added the new parameter flp.

flp: Flips the channels in a Stereo sound. Left becomes right and vice versa. Range is 0 or 1, where 0 is unaffected and 1 is flipped.

v0.1.2.8

This release added the new parameter crt.

crt: Curvature for the release part of the amplitude envelope.

This makes fading out events a whole lot smoother.

v0.1.2.7

This release added these new parameters to all synths:

bnd: Pitch bend.
bnt: Pitch bend time (now decoupled from sustain).
bno: Offset the time at which the pitch bend begins.
bnc: Pitch bend curvature.