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updates nov 28
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2 changes: 1 addition & 1 deletion 03.4-webmapping-with-leaflet.rmd
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At this stage, your html will look similar to this:

![Added points and pop-ups](images/web-map.points.png)
![Added points and pop-ups](images/web-map-points.png)

6. That's it! We've created a web map with our own point data, and we have markers with pop-ups to click on.

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8 changes: 4 additions & 4 deletions book/about-the-authors.html
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
Expand Down Expand Up @@ -314,7 +314,7 @@ <h3>Shawn Graham</h3>
</div>
<div id="neha-gupta" class="section level3 unnumbered">
<h3>Neha Gupta</h3>
<p><a href="https://dngupta.github.io/">Neha Gupta</a> is a broadly trained archaeologist and recent postdoctoral fellow at Memorial University. Her research programme addresses geospatial and digital methods in post-colonial and Indigenous archaeology. Her specialties include geovisualization and GIS, landscape and settlement archaeology and the archaeology of India and Canada (Ontario). She recently launched <a href="https://mapindianarch.wordpress.com/">MINA | Map Indian Archaeology</a>, a public digital project to promote the archaeology of India and to encourage collaboration in the development of digital tools and technologies appropriate for archaeology. Recent scholarship centers on themes of colonial practices, web maps, Indigenous peoples and archaeology’s relationship with society.</p>
<p><a href="https://dngupta.github.io/">Neha Gupta</a> is a broadly trained archaeologist and a postdoctoral fellow at the University of New Brunswick. Her research programme addresses geospatial and digital methods in post-colonial and Indigenous archaeology. Her specialties include geovisualization and GIS, landscape and settlement archaeology and the archaeology of India and Canada. She recently launched <a href="https://mapindianarch.wordpress.com/">MINA | Map Indian Archaeology</a>, a public digital project to promote the archaeology of India and to encourage collaboration in the development of digital tools and technologies appropriate for archaeology. Recent scholarship centers on themes of colonial practices, web maps, Indigenous peoples and archaeology’s relationship with society.</p>
</div>
<div id="michael-carter" class="section level3 unnumbered">
<h3>Michael Carter</h3>
Expand Down Expand Up @@ -354,7 +354,7 @@ <h3>Joel Rivard</h3>
</div>
<div id="ben-marwick" class="section level3 unnumbered">
<h3>Ben Marwick</h3>
<p><a href="https://anthropology.washington.edu/people/ben-marwick">Ben Marwick</a> is an Associate Professor in the department of Anthropology at the University of Washington. He is a leading figure in computational archaeology and reproducible methods in digital archaeology. His research uses models from evolutionary ecology to analyse past human behaviour in mainland Southeast Asia and Australia. My technical specialisations in stone artefact technology and geoarchaeology provides me with wide scope in time periods and geography. My specific interests include the hominin colonisation of mainland Southeast Asia, forager technologies and ecology in Australia and mainland Southeast Asia, and transitions to agriculture in mainland Southeast Asia.</p>
<p><a href="https://anthropology.washington.edu/people/ben-marwick">Ben Marwick</a> is an Associate Professor in the department of Anthropology at the University of Washington. He is a leading figure in computational archaeology and reproducible methods in digital archaeology. His research uses models from evolutionary ecology to analyse past human behaviour in mainland Southeast Asia and Australia. His technical specialisations in stone artefact technology and geoarchaeology provides him with wide scope in time periods and geography. Ben’s specific interests include the hominin colonisation of mainland Southeast Asia, forager technologies and ecology in Australia and mainland Southeast Asia, and transitions to agriculture in mainland Southeast Asia.</p>
</div>
<div id="editorial-board" class="section level3 unnumbered">
<h3>Editorial Board</h3>
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4 changes: 2 additions & 2 deletions book/archaeogaming.html
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
Expand Down Expand Up @@ -333,7 +333,7 @@ <h3>Flat tables</h3>
To some degree, you might have less control of formatting when using plain text files (but this may be a feature and not a bug.)</p>
<p>For great advice on using spreadsheets to organize data, see this helpful piece in <em>The American Statistician</em> by Karl Broman and Kara Woo <span class="citation">(<span class="citeproc-not-found" data-reference-id="broman_data_2018"><strong>???</strong></span>)</span>.</p>
<p>Putting your collected data straight into flat tables can be quite easy and efficient. It’s quite easy for a human to open a spreadsheet and read it. These are probably the biggest advantages for storing data this way.</p>
<p>However, it can be challenging to convey how data fit together if they are contained in flat files– metadata explaining each field must be stored in some other file. Data entry can be inefficient and error-prone if there are no checks in place to eliminate inconsistencies. And it’s very easy to introduce errors and typos. Note: while you <em>can</em> relate values in Excel with functions like VLOOKUP and set constraints with input masks, it doesn’t mean you <em>should</em> due to the instability of these types of enhancements. If you find yourself embedding a lot of this kind of behavior, it’s a good signal to take a look at other types of databases.</p>
<p>However, it can be challenging to convey how data fit together if they are contained in flat files– metadata explaining each field must be stored in some other file. Data entry can be inefficient and error-prone if there are no checks in place to eliminate inconsistencies. And it’s very easy to introduce errors and typos. Note: while you <em>can</em> relate values in Excel with functions like VLOOKUP and set constraints with input masks, it doesn’t mean you <em>should</em>; because of the instability of these types of enhancements. If you find yourself embedding a lot of this kind of behavior, it’s a good signal to take a look at other types of databases.</p>
<p><strong>JSON and XML</strong><br />
While you likely won’t (and shouldn’t) input your research data directly into these formats from the beginning, many web resources rely on <a href="https://en.wikipedia.org/wiki/JSON">JSON (JavaScript Object Notation)</a> or <a href="https://en.wikipedia.org/wiki/XML">XML (Extensible Markup Language)</a> documents to store data. JSON and XML are formats for writing plain text documents in ways that allow computers (and people) to understand hierarchy and relationships between data.</p>
<p>JSON looks like this (<a href="https://en.wikipedia.org/wiki/JSON">source</a>):</p>
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6 changes: 3 additions & 3 deletions book/artificial-intelligence-in-digital-archaeology.html
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
Expand Down Expand Up @@ -440,7 +440,7 @@ <h3>References</h3>
<p>Romanowska, Iza. 2015. “So You Think You Can Model? A Guide to Building and Evaluating Archaeological Simulation Models of Dispersals.” <em>Human Biology Open Access Pre-Prints</em> 79. <a href="http://digitalcommons.wayne.edu/humbiol{\_}preprints/79" class="uri">http://digitalcommons.wayne.edu/humbiol{\_}preprints/79</a>.</p>
</div>
<div id="ref-box1987empirical">
<p>Box, George EP, and Norman R Draper. 1987. <em>Empirical Model-Building and Response Surfaces</em>. John Wiley; Sons.</p>
<p>Box, George E.P., and Norman R. Draper. 1987. <em>Empirical Model-Building and Response Surfaces</em>. John Wiley; Sons.</p>
</div>
<div id="ref-Epstein2008">
<p>Epstein, Joshua M. 2008. “Why Model?” <em>Journal of Artificial Societies and Social Simulation</em> 11 (4). JASSS: 12. <a href="http://jasss.soc.surrey.ac.uk/11/4/12.html" class="uri">http://jasss.soc.surrey.ac.uk/11/4/12.html</a>.</p>
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4 changes: 2 additions & 2 deletions book/cleaning-data.html
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
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4 changes: 2 additions & 2 deletions book/colophon.html
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<meta name="author" content="Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Lorna Richardson, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, &amp; Rob Blades">


<meta name="date" content="2018-11-19">
<meta name="date" content="2018-11-24">

<meta name="viewport" content="width=device-width, initial-scale=1">
<meta name="apple-mobile-web-app-capable" content="yes">
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<li class="chapter" data-level="1.1.1" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#a-distant-view"><i class="fa fa-check"></i><b>1.1.1</b> A distant view</a></li>
<li class="chapter" data-level="1.1.2" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#is-digital-archaeology-part-of-the-digital-humanities"><i class="fa fa-check"></i><b>1.1.2</b> Is digital archaeology part of the digital humanities?</a></li>
<li class="chapter" data-level="1.1.3" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#archaeological-glitch-art"><i class="fa fa-check"></i><b>1.1.3</b> Archaeological Glitch Art</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor</a></li>
<li class="chapter" data-level="1.1.4" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#the-cool-factor-and-the-tensions-of-cool"><i class="fa fa-check"></i><b>1.1.4</b> The ‘cool’ factor and the tensions of cool</a></li>
<li class="chapter" data-level="1.1.5" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#takeaways"><i class="fa fa-check"></i><b>1.1.5</b> Takeaways</a></li>
<li class="chapter" data-level="1.1.6" data-path="so-what-is-digital-archaeology.html"><a href="so-what-is-digital-archaeology.html#exercises"><i class="fa fa-check"></i><b>1.1.6</b> Exercises</a></li>
</ul></li>
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